By Ruben Quintero
ISBN-10: 1405119551
ISBN-13: 9781405119559
This number of twenty-nine unique essays, surveys satire from its emergence in Western literature to the present.
- Tracks satire from its first appearances within the prophetic books of the outdated testomony throughout the Renaissance and the English culture in satire to Michael Moore’s satirical motion picture Fahrenheit 9/11.
- Highlights the $64000 effect of the Bible within the literary and cultural improvement of Western satire.
- Focused generally on significant classical and ecu affects on and works of English satire, but in addition explores the advanced and fertile cultural cross-semination in the culture of literary satire.
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Extra info for A companion to satire : ancient to modern
Example text
2 Defining the Art of Blame: Classical Satire Catherine Keane Many ancient Greek and Roman literary works, bearing a range of generic labels, contain hints of what a modern audience would call satire. Thus, a chapter on classical satire might cover a huge quantity and variety of material. 93). His pronouncement limits satire to the handful of verse authors who, as a result, came to comprise the ancient canon in the eyes of most scholars. This exclusive group consists of four writers – Lucilius, Horace, Persius, and Juvenal – who worked between the second century bce and the generation following Quintilian’s own.
The Book of Psalms is a particularly useful source for bringing out the power and pain of humiliation and ridicule because the psalms, as passed on and as written, span at least a millennium of Israel’s history and testify throughout that time to the power of shame and ridicule. Psalm 23 is by no means unique. Psalm 137, set in the Babylonian captivity, brings out the humiliation sharply felt by Israelites in captivity and closes with a hair-raising curse on their Babylonian captors. Psalm 109 speaks of the malicious tongues of those who speak against the psalmist and, like Psalms 35 18 Thomas Jemielity and 73 (and, of course, Psalm 137), curses those responsible for this situation.
Odysseus employs mockery to reinforce the established social order. He declares Thersites unfit to criticize ‘‘the shepherd of the people’’ (254) – a sentiment duly echoed by the watching soldiers – and then seals his criticism with physical punishment. His response to Thersites is a violent precursor of the Freudian ‘‘tendentious’’ joke in which hostility is sublimated 34 Catherine Keane through humor (Freud 1960: 171–93). Odysseus converts the soldiers’ resentment toward their leaders into laughter at a weaker figure.
A companion to satire : ancient to modern by Ruben Quintero
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